stacking klon and timmystacking klon and timmy

TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. I have no idea. Germany, However you slice it, its important to consider what you already have to make smart stacking decisions. Seller assumes all responsibility for this listing. does anyone own both a klon and a timmy? - Harmony Central The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. The original Klon employed traditional through-hole parts. 1995-2022 Harmony Central, Inc. All rights reserved. MXR Timmy Overdrive review | Guitar World Since you already get a lot of the mids with this set up, turn the drive down low. It's really, really fantastic. If you want to see the reason this is cool, turn the drive knob up. . I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. The last pedal in the stack has the biggest influence on the overall tone. I also use an Xotic EP boost for stacking. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. Many players seek transparent overdrives like the Timmy, the Himmelstrutz Fitzo or the Hungry Robot to add gain but not additional EQ to a more uniquely voiced overdrive. In a head to head comparison, tonally, they are almost identical. Designed to replicate the characteristics of a specific amp. It may not display this or other websites correctly. The Tim is a honking big piece of pedal metal. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. Reactions: snarf. He is also the first-call session guitarist for Sweetwater Studios. Sts 114 team award criteria. Virginia. Kino treebud 24F HSH Ash Trans Black. Quick question about switching tube amps on/off. If you want to see the reason this is cool, turn the drive knob up. I finally understand that the Klon sounds better being goosed itself. EUR Its just music. If it sounds better at a lower-gain setting, treat it like a lower-gain pedal. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . Tuffi wuppertal wikipedia deutsch. Your purchases help youth music programs get the gear they need to make music. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Just be sure if you're using a multi-effect delay or reverb that it does let you stack multiple delays. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. The EarthQuaker Dispatch Master doesn't say it has modulated reverb, but I swear it's there, plus it's a really simple pedal to use. The classic bolt-on design of the Stella DW features an HSS configuration with Alnico humbucker and single coil pickups for a shimmering, articulate tone. Here is a short list to provide a starting point for stacking drive pedals. Next up, take two boost pedals-- doesn't matter what they are --and combine them. In that case, I switch over to the KTR Overdrive instead. Stacking Klone with Timmy? | The Gear Page If you try this, you'll be really, really surprised. I mostly play indie, punk, classic rock, pop, blues. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? You must log in or register to reply here. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. I run a Hardwire CM2 or a SD1 into it, depending on what I feel like that day. Electric Guitar. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. Amwatts 1x12 Celestion Gold. Now this is big. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Terry B Humble student of the blues . and don't attack me asshole, I'm asking about what I've been told. Might not be the awnser that you are expecting , but do you have a good amp? You are using an out of date browser. Used (normal wear), Play where the pros play! The Big Muff has plenty. I haven't had much luck with Klones and stacking with other dirt pedals. Transparent drives are great for adding gain or boost to a sound you dont want to alter, like a second channel or gain stage. But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. Is it a good thing? 2. I use a JHS Morning Glory V4 but you've got options. You let one run quarter notes, and the one after it runs dotted eighth notes. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. Knowing what that curve is will help you know how and where to stack a pedal. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. The list of variables goes on and on. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. JavaScript is disabled. Fuzz stacked into an overdrive pedal? 4 Perfectly Pleasing Pedal Pairs | Reverb News It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. **Dont knock it till you try it. Best Blues Breaker-Style Pedals, Clones & Evolutions in 2023 Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. This could not be further from the truth, however. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. #3. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. Review round-up: Klone pedals | MusicRadar See giveaway details & rules or check out our past winners! Some of the add-ons on this site are powered by. It does not nail the klon nor is it suppose to. They are too loud stacked. Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. Okay, lets get down to business. For instance, lets say that youre playing with a clean amp and have a pedalboard whose dirt section includes a Tonebender fuzz, a Fuzz Face, a Supro-like overdrive like a Bearfoot Honey Beest or a Greer Ghetto Stomp, and a Marshall-in-a-box distortion like the ZVex Box of Rock. thanks for playing! Privacy Policy. The only one who's feeding anyone bull{censored} here is you. They are both rare and very expensive, selling for upwards of $3100/2500 on sites like Reverb. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. If you want to add another tone to your board, look for pedals that will complement the tones you already have. These are great for making a lead stand out or tightening up a chunky rhythm sound. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. I actually like octaves that are a little more glitchy that don't track as well, because the pedals that are technically bad sometimes sound really good. Your purchases also help protect forests, including trees traditionally used to make instruments. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. But that's why we play guitar, right? You take the octave pedal, and you put it before a big fuzz pedal. Original models of the Klon have now become some of the most sought after guitar pedals ever made. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. The best part is that when I play these pedals together, they're going to be syncopated. It's rich, it's thick, it's all the things you love about the Big Muff, but it's just stronger and better. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. The Timmy has a more versatile EQ section, but sonically they have very similar signatures. Personally, I would go Katana, TS, Timmy, Klon. NEW Tagima Stella DW- Black Fade - musical instruments - by dealer Klon for dirt and Timmy for clean boost? Both of my boards have four OD pedals with a Timmy being the first in the chain. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. Actually, the old timmy's sound a little different than the tims. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. How do you like it? I personally like klons early on before other pedals. They know right from wrong!. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. Some pedal companies actually sell the set of two boosts. From there I have three options to pick and choose from depending on the kind of dirty sound . Sep 2, 2016. Are you using one to drive the other? Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? call paul and bill and tell them BOTH that line of bull{censored} above. For a better experience, please enable JavaScript in your browser before proceeding. So, the Big Muff doesn't have any mid frequency peak at all. Finding the optimum gain staging between pedals is important. Each of us tends to have a few favorite pieces of gear, which is fine, but the danger is that we end up trying to force everything else to work within the already-set parameters of our favorites pieces and settings. Ibanez TS9 Tube Screamer Reissue for Sale in Portland, OR - OfferUp If the OCD is bassy, two gives you bass on top of bass. Guitar Lessons with RANDY HANSEN!!! - musical instruments - by The only problem is, this kind of experimentation requires access to a wide variety of different pedals, and many players do not have that luxury. Too much gain or level can cause excessive hiss or hum, handling noise, weird EQ, and compression, and it can actually make your sounds seem smaller. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. Honestly the Timmy isn't needed in that situation, as the BE-OD is one nasty pedal with major "tude". Reddit and its partners use cookies and similar technologies to provide you with a better experience. To reflect our commitment, we updated our terms and conditions. Basically, I hit a note and then it bounces back slowly. That's part of the fun of it. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? big muff - Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. The Caverns by Robert Keely has a modulating reverb setting and a delay. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. Of course, there are times when total cacophony may be exactly what youre looking for. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. As you can see, just a few pedals can cover a ton of ground. There are a lot of different ways to do it, so experimentation is encouraged. Blonde & Brown Z's sound best!! Ibanez TS9 Tube Screamer Reissue - musical instruments - by owner I run my Klone ahead of my dirtier Nobels, Rat style OD's. The Eventide H9 is another option that I actually have on my personal board. (continue with the douch bag and asshole comments!). I love using the JAM TubeDreamer, which is really a great version of a Screamer, but any of them will work. Works great. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. All drive pedals have an inherent sound and EQ curve. : () . It's probably more comparable to a Klon, more of a dirty boost, and if anything it can be a bit bass heavy . Some of the add-ons on this site are powered by. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. Gite d'etape communal le monastier sur gazeille. I'm a true fan of stacking overdrives. How are you running the two pedals gain wise? One option is to set them up to be multiple gain stages. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. . I have both & they are completely different. Theres one at my local GC for $50. Here, the relevant question tends to be "Rat before or after Rat? Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. Wampler Pedals Plexi-Drive Mini - westownvetclinic.com Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ). The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 Quarter Note + Dotted Eighth = Rhythmic Dual Delay. Literally, you could spend the rest of your life trying combinations. Call 66 one 874- 92seven 71998 Fender Stratocaster master built one of a kind Senior master builder Act, Esparza build this special guitar. Power Your Creativity . To be heard. As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. Running the most transparent or lowest gain OD first seems to work the best for me. If your tone is fine, but a bit dark, consider trying a boost. Posts: 8,543. See signal flow here in attached PNG. Four very distinct tones made from a fairly modest array of pedals and thats without adjusting the knobs or switching amps. Thank you for your request. Thanks! This is a really good go-to combo. These are just things that I stumbled into, things that I was inspired to do by artists that I love. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. For a better experience, please enable JavaScript in your browser before proceeding. ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. Does the character of the pedal change? OCD stacking | Fender Stratocaster Guitar Forum It's also an inspiring creative exercise. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. Your purchases also help protect forests, including trees traditionally used to make instruments. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. How are you using them? So, just like the amp, the reverb is before the tremolo. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. It may not display this or other websites correctly. The JHS Angry Charlie V3 channel drive pedal captures the essence of the legendary Marshall JCM800, turning your guitar amp into a sonic flamethrower. The 1.7 was always my favourite, but ever since I began running the 2.0 in 18-volt mode it's kind of in the lead. The key to making this combination work is setting the gain and Volume on each pedal modestly, and running it into a relatively clean amp. We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. Boom. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. To Fit. I typically break that rule every time I combine tremolo and reverb. Maybe you should. Kemper Profiling Amp PowerHead in Black With Remote Footswitch The DOD boost is used by itself for a clean solo sound. The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. Price to sell look it up Reverb this one is really in mint condition kill switch and all. fender original tele 50s, 24 Tim Pierce Premier Guitar Rig Rundown. Youve got to keep the modulation and the effect level of this kind of low. Whew! Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . Hendrix. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. the are different circuits geared towards COMPLETELY different sounds-. The place for all things related to guitar pedals. I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. It really pushes other drive pedals nicely - I'm using the Timmy to push a Catlinbread DLS [ set in Supe Bassman Mode ]. You can also shape it a bit more than you can the OCD with the EQ. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. Timmy is used by itself for a crunchier sound than Klon. Mimic, HSH to SSS and SSH (board little Mind). Play a chord with the pedal off. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. Definitely try that in your rig. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. Pedals/Effects Anyone use a Nobels ODR-1? - Blues Guitar Unleashed Luxe bidet neo 120. How to Stack Pedals The JHS Show TC Electronic Spark Booster (has Gain option). You can turn off the overdrive and turn on your Marshall-in-a-box for instant Mick Ronson. For a better experience, please enable JavaScript in your browser before proceeding. 144,000 . Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. It may not display this or other websites correctly. By continuing to use Reverb, you agree to these updates, and to our cookie policy. That said, it's a great, versatile pedal. Here's a look at the pedals behind the sound. New CLR 3-way switch. This way, the drives will not conflict with one another. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Headroom, with each new pedal, will likely decrease. The BOSS RV-5 is a really, really great option here; it's on so many albums and so many great players still use this. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. Bummer, Tumnus into OCD is one of my absolute favorite combos because of how versatile it is. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. Seriously, just try them both ways and see what you like. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. Now you can level-up your rig with Timmy's celebrated transparent overdrive, designed to bring out the expressiveness of your playing, while giving you access to myriad tones and textures via its four control knobs (Bass, Treble, Volume, and Gain) and a Clip switch with three distinct clipping profiles to fit a range of playing styles. Made-Man. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. You can also use drive pedal stacks to change the overall character of your existing rig. The last combination may be the best because it's the most rambunctious. Being music makers ourselves, we love geeking out on all things gear. Obviously, there are endless ways to stack guitar pedals. This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. For a better experience, please enable JavaScript in your browser before proceeding. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ) Try it both ways: TS>Timmy>Katana>Klon to use the Katana as a clean boost. I vote used dod 250. well theres ONE of you saying that they are 'tonaly' the same and about 5 of us saying that they are made to do somewhat similar things but they are not compairable in anyway. Youll definitely have fun, and you might even find your new favorite sound. Noted pedal-design 7 Cool Listings This Month on Gear Exchange. Oops, looks like you forgot something. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. But if you do it in a faint way, it's really, really special. Thank you for your request. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. While the concept is simple, the details make all the difference. I've often used this for big ambient slide parts with overdrive, and I have a knob setting that works great. What I'm going to show you today are some stacking combos that I personally have used for a long time. When I stack, I don't like to stack the same pedal- too much of the same frequencies.